![]() ![]() I'll try your approach as soon as I have my audio desk set up again after I move! ![]() Regardless, nice work figuring out a fix. Things like changing the frequency rate or block size when hardware inserts in a session were already accurately latency compensated for both RME and Reaper will then dramatically lose functional accuracy of their latency adjustment. I don't think the RME unit is wrong at adjusting, but rather that the RME interface is calculating its own latency offset according to sample rate, buffer size, and other stuff, whereas simultaneously Reaper and the CPU also have the buffering and adjustment for all the PDC that stacks up when processing each software plugin. Instead, when sending the original track (with ReaInsert instance, here also pinged for added analog i/o latency compensation) into the recording armed track (the hardware print), I set the track record-input drop down menu to the normal "record output (stereo)" selection without adding adjustment for latency. I also use Reaper and also use the same method for processing with hardware in sessions, though you may not have to change the latency compensation in the Reaper preferences menu. Now i can mix and match hardware and software and not worry at all about latency. Spend some time trying everything I could think of until I did this. I was working through it for a long time, but I decided enough was enough. ![]() RME's latency reporting is either non existent or broken, idk. Once you've set it up once, it keeps working forever. This method works so well, you can NULL the original signal, all without entering a manual offset, independent of how many hardware and software inserts you have stacked on the track. reaper will automatically compensate any and all delays. Thats it, open as many hardware or software inserts as youd like, stack em as high as you want. Reaper takes care of the Latency, you can rest easy knowing your material will be perfectly in phase. Right click the record button (the red circle on the side of the track) and select "Record: Output / Latency Compensated"Īrm the track, press record and boom, No latency, regardless how many instances of hardware or software inserts you have. all you have to do is use the reainsert plugin on the empty track, bypass the hardware (physically in real life) and ping it once. Select the track you wish to play around with and create an empty track underneath. click on the chosen input and check "Preserve PDC delays monitoring in recorded items" Now, still inside of preferences on the list on the left find Track/Send Defaults (under project) Here is where we do something completely unintuitive, yet necessary for RME devices UNCHECK USE DRIVER REPORTED LATENCY. ![]() Now find "recording" from the list on the left hand side (audio/recording) The first thing we have to do is open reapers preferences (Options/Preferences) This applies to Reaper, if your in another DAW, sorry I'm clueless. Well, kiss those days good bye, I have a solution Thing is, as far as I knew adding too many hardware inserts and plugins in a complex way would bring about delays and strange phasing issues. The problem was in complex routing, I like to sprinkle hardware inserts between plugins, between other hardware inserts etc. in hardware Loopbacks don't really help in all situations and I honestly needed a permanent solution. RME's Delay reporting mechanism doesn't work. It occurred to me that Ive been spending alot of my time phase aligning hardware inserts when I honestly did not have to. I've been on the RME train for over a decade. Panorama gives you the creative freedom to just focus on your music.Im an avid RME fanboy. The integration with Bitwig Studio, Cubase, Nuendo, Logic Pro, MainStage, Reaper, Reason and Studio One is so deep that you can immerse yourself in your music without having to constantly reach for the mouse. Three modes allows you one button press to switch between controlling the Mixer, Instruments and Transport, with the 4th mode, Internal, still providing access to traditional MIDI control. The dedicated communication protocol ties Panorama and your DAW tightly together so all you have to do is select the mode and menu you want to control. CONTROLLING BITWIG, CUBASE, NUENDO, LOGIC PRO, MAINSTAGE, REAPER, REASON OR STUDIO ONE HAS NEVER FELT SO REALįor Bitwig Studio, Cubase, Nuendo, Logic Pro, Reaper, Reason ans Studio One users, Panorama is a dream come true. ![]()
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